Saturday, September 27, 2014

New Exhibit: Combination Lock

As a kid I took a lot of things apart to see how they worked: clocks, radios, motors, various mechanized toys. Usually they didn't get put back together again, but most of the time they were castoffs anyway so that there was no loss and plenty of gain for me in the form of learning how things worked. One device I never did take apart was a combination lock, mostly because locks are designed to be difficult to disassemble, for obvious reasons. Hence, I've never educated myself as to exactly how a combination lock operates. Until now.

Recently I paid a visit to Matthias Wandel's woodworking site on the web. I discovered this site back when I was building Mindport's pipe organ, and found a number of  useful ideas that I incorporated into my instrument. It's a good place to look for exhibit ideas, not to speak of a large collection of esoteric woodworking wisdom. Upon looking through the various wooden gadgets that Wandel has designed, I ran across plans for an operating combination lock mechanism, all fabricated from wood. For $7 I downloaded these plans and built my own version, which you can now explore at Mindport.

Kevin Jones

Friday, September 19, 2014

Currently in our Gallery

Thao Thanh Le
Bellingham's Plein Air Artists will be showing their paintings in Mindport's gallery September 19 through October 5th.

They submitted the following statement:

We paint from life in order to learn how to see. If you can paint light, you can paint everything under the sun.
          --Frank LaLumia, PAPA Signature Member

Painting from life is a pursuit unlike any other painting technique. It challenges artists to concentrate every sensory nerve on the information in front them. They absorb it all, from sight to sound, from temperature to atmosphere, and then channel those feelings from head to hand, re-creating the vision in paints on paper or canvas.

The roots of painting from life are found in 19th-century Europe. Englishman John Constable believed the artist should forget about formulas and trust his own vision in finding truth in nature. To find that truth, he made sketches outdoors, then elaborated on them in the studio. Around the same time in France, in a small village outside Paris called Barbizon, a group of artists focused their attentions on peasant life and the natural world surrounding it. Like Constable, Francois Millet and Gustave Courbet challenged conventions of the day, choosing everyday subjects rather than the traditional cliches and presenting them in natural settings, the information for which came from sketches made in the field.

 These realists, as they came to be called, laid the groundwork for the mid-19th century revolution in France that took painting from life to its logical conclusion. Lead by Edouard Manet, Claude Monet, Edouard Degas, Auguste Renoir, et. al. the impressionists espoused the belief that you should trust your eyes. Using newly developed theories of how the eye physically registers color, they maintained that what you saw in nature was not form, but rather light on form. And light could be conveyed by color. To prove their theories, they took their paint tubes and easels outdoors, where they re-created the world as colors which suggested light. Rebuffed at first for what appeared to be unfinished paintings, the impressionist vision soon became a standard for truthfully conveying the outdoor experience.

Painting en plein air (in the open air) would forever change how we see the world. Artists in the United States were attracted to the concept, and many, like Californian Guy Rose, traveled to France to study with Monet. Suddenly, places with remarkable light were of particular interest to painters, including the both the East and West Coasts, and the American Southwest, where painting colonies formed. The goal of teachers and students alike was to capture the light and colors peculiar to the place.

Today, painting from life is a pursuit that continues to challenge the finest artists in the world, as well as the group from Studio UFO here in Bellingham.  This August will be our 9thth Annual Downtown Bellingham Plein Air Paint Out & Exhibition (PAPO).  We have an average of 30 artists that participate.  The Bellingham PAPO is different in that it focuses on the downtown core and not a natural or wilderness setting.  It is our mission to raise awareness about plein air painting, to show the community how many artists are here in Bellingham and to show the artists' interpretation of downtown Bellingham.
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